
Parmeet Singh delivers a charismatic and nuanced performance as John Willoughby in Hudson Classical Theatre Company’s adaptation of “Sense and Sensibility.” Singh’s portrayal stands out for its depth and complexity, successfully transforming the widely known villain of Jane Austen’s novel into a “grey antihero.” His performance is described as charismatic, intelligent, and electric, capturing the audience’s attention from his “bombastic and robust” entrance.
A Masterclass in Character Transformation
What distinguishes Singh’s performance is his ability to create a fully realized human being, rather than a one-dimensional character. He moves beyond the archetype of a villain, crafting a version of Willoughby that we initially want to love but ultimately end up despising, though not without a hint of pity. This depth is a testament to his artistry and his philosophy of acting, where he aims to have “abundant discoveries with limitless exploration and complete surrender.”
Versatility and Craft
Singh’s talent is further highlighted by his impeccable command of received pronunciation (a British accent), which adds authenticity to his classical performance. The provided text also emphasizes his versatility, noting his seamless transitions between vastly different roles. His recent work includes playing Romeo in “Romeo and Juliet” and Lysander in “A Midsummer Night’s Dream” with The Shakespeare Theatre of New Jersey, as well as a lead role in the premier of “Haunt Me” and an indie film. His diverse background, which includes training at both The American Musical and Dramatic Academy and the National School of Drama, India, and work in both classical Western and contemporary Indian productions, underscores his commitment to nurturing his artistry as a whole.
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Hudson Classical Theater Company unlocks the vitality of Classical theater. It is our mission to delight our diverse audiences with intimate and accessible interpretations of classical literature.
In addition, our Education and Outreach Programs provide performances and theater training to audiences who don’t usually have access to theater, including the Incarcerated, Veterans, Seniors, and Community and Educational Centers.