The American Theatre of Actors (ATA) is currently presenting a rare revival of “The Interlude of Youth,” a captivating morality play from the early 16th century, as part of its Classical Showcase. Directed and co-produced by Dr. Jeff S. Dailey, this production breathes new life into a forgotten piece of dramatic literature, offering audiences a blend of entertainment and timeless moral lessons. Actor David Ezell, a prominent figure in the New York theatre scene, takes on a significant role in this historical staging.

The Play: “The Interlude of Youth”

“The Interlude of Youth,” by an unknown playwright, is a verse-based morality play that charts the journey of a young man’s transformation from a “crude rogue” to a “serious member of society.” True to the morality play genre, its characters bear names such as Riot, Pride, and Lechery, embodying the vices and virtues that guide or corrupt the protagonist. Despite its antiquity, dating back to at least 1514, the play is renowned for its considerable comedic elements, making it one of the most entertaining surviving examples of its kind. The term “interlude” in the early modern period simply referred to a short play.

The play’s enduring message, encouraging viewers to abandon destructive behaviors like gambling, excessive drinking, promiscuity, and the pursuit of money, remains strikingly relevant in contemporary society.

Dr. Jeff S. Dailey: Bringing History to the Stage

Dr. Jeff S. Dailey, with a PhD in theatre from New York University, has dedicated over 30 years to directing plays at the American Theatre of Actors. His extensive experience has allowed him to delve into and explore a wide range of dramatic works from the past.

Dr. Dailey emphasizes that while medieval theatre is often associated with religious themes, “The Interlude of Youth” stands out as a morality play that, though not overtly religious, aims to inspire a better lifestyle through engaging entertainment. He invites audiences to experience this historical work, which has been captivating people for over 500 years.

David Ezell: A Deep Connection to Classical Theatre

David Ezell, a writer and actor based in Midtown East, brings a profound personal and academic connection to his role in “The Interlude of Youth.” Holding a graduate degree in European history, Ezell was already familiar with the play before auditioning. His English heritage and intensive study of Shakespearean performance at institutions like Soho Shakespeare and the Royal Academy of Dramatic Art further deepen his appreciation for classical works.

Ezell describes his surprise and excitement upon seeing the audition notice for “The Initiation of Youth” (an alternative title), having just completed a run of “Little Women.” He notes that scholars widely believe Shakespeare himself was influenced by this play as a teenager, and to Ezell’s knowledge, “The Interlude of Youth” had never been staged in New York, though it continues to be performed in England. This unique opportunity thrilled him, offering the chance to perform in a foundational work of English theatre.

Ezell’s primary goal for the audience is to help them “get past the language” – true Middle English – and discover the abundant humor within the work. He continuously uncovers new layers of comedy in the text, which are not immediately apparent. Participating in this production has significantly boosted Ezell’s confidence in performing classical theatre, as over 98% of his prior acting experience was in modern works. He credits Dr. Dailey’s “very patient instruction” for this growth.

The American Theatre of Actors: A Home for Developing Talent

Founded in 1976 by James Jennings, who serves as its President and Artistic Director, the American Theatre of Actors (ATA) is a vital repertory theatre company. Comprising 50 actors, 15 playwrights, and 8 directors, ATA’s core mission is to foster the development of new talent in playwriting, directing, and acting, providing a nurturing, creative environment free from the pressures of commercial theatre.

ATA is known for presenting plays that tackle contemporary social and ethical issues. Over its history, the theatre has premiered more than 1000 new works and has hosted over 11,000 actors, including many who went on to achieve significant fame, such as Dennis Quaid, Bruce Willis, Danny Aiello, Dan Lauria, Chazz Palminteri, Kevin O’Connor, William Fichtner, Edie Falco, and Kathryn Hahn.

Upcoming Performances and Future Endeavors

“The Interlude of Youth” is running at The American Theatre of Actors complex, located at 314 W 54th St, New York City, from August 6 to August 17.

Beyond “The Interlude of Youth,” David Ezell plans to continue honing his classical acting skills. He has an upcoming reading for a piece connected to another part of his cultural heritage – Agatha Christie – and hopes to be involved in several upcoming Shakespearean productions, including at least two stagings of “Hamlet.” Ezell is also the co-owner of Camelback Films, whose first film, “Occam’s Beard,” is set to premiere in September, and their second project, “Paper Moon Rise,” is scheduled to begin production in Kansas in approximately two months. Camelback Films has also entered several major competitions, adding to Ezell’s exciting opportunities.

The American Theatre of Actors (ATA), a cornerstone of New York City’s off-off Broadway scene, today announced the appointment of Jessica Jennings as its new Executive Director. This announcement comes as the venerable institution approaches its 50th anniversary in 2026. James Jennings, the theatre’s esteemed founder, will continue in his role as Artistic Director.

“I’m thrilled to continue the tradition started by my father in 1976 and now to bring the theatre forward into the next generation of the 21st century,” said Jessica Jennings, a multifaceted theatre artist with a distinguished career as a director, actor, dancer, and producer.

James Jennings, a celebrated figure in independent theatre renowned for directing the complete Shakespearean canon and his work with legends like Elia Kazan, Lee Strasberg, and Harold Clurman, expressed his pride: “I’ve watched Jessica go from that little girl looking over my shoulder to a celebrated director/actor/dancer and producer. Her plans and ideas are already bringing a new dimension to all three theatres in the ATA complex.”

Jay Michaels, ATA’s longtime press representative, echoed this sentiment, stating, “The Jennings family has truly placed itself as a prominent arts family in the indie arts scene of New York! Jessica’s vision is a dynamic force for the ATA’s future.”

Jessica Jennings brings a wealth of experience to her new role. She holds a BFA in Dance from the University of the Arts and a certificate from the Martha Graham School of Dance, where she was a Van Lier Scholarship recipient. Her dance career includes performances at the Philadelphia Fringe, Edinburgh Fringe, and the Etruscan Riviera Festival, as well as collaborations with renowned choreographers and companies. Notably, she danced in Cinderella with the Fort Worth Ballet at City Center and served as a dancer and dance stand-in for Bryce Dallas Howard in M. Night Shyamalan’s film, The Village, where she also assisted in teaching period dances to the cast.

As a director, Ms. Jennings has garnered accolades, including audience-vote awards for her productions at the John Chatterton Festival and Testo-Genius, the Jean Dalrymple Award for A Midsummer Night’s Dream at ATA, and a Princess Grace Award nomination for Romeo & Juliet.

Her acting credits are equally impressive, ranging from childhood appearances in commercials to lauded performances on the ATA stage, including Ophelia in Hamlet, Katherine in Taming of the Shrew, and Lady Macbeth. She has also performed in numerous Shakespearean productions and Off-Broadway shows.

Beyond her artistic achievements, Ms. Jennings possesses significant business acumen gained from managing multi-million-dollar retail locations and her experience in development at the Spanish Repertory Theatre (Repertorio Español). As the founding Board President of Ripple Effect Artists, a social-justice theatre, she honed her skills in theatre management and development, co-producing Off-Broadway shows and SAG short films. In 2021, she established Alchemy Theatrical Consulting, assisting indie theatre clients with various aspects of production and management. She has since returned to the American Theatre of Actors, contributing to rebranding, archiving, marketing, and business development.

American Theatre of Actors

Founded in 1976, the American Theatre of Actors is a vital repertory theatre company dedicated to fostering new talent in playwriting, directing, and acting. Over its history, ATA has presented over 1000 new works and provided a platform for more than 11,000 actors, including notable names such as Dennis Quaid, Bruce Willis, and Edie Falco.As the American Theatre of Actors looks towards its next 50 years, the appointment of Jessica Jennings as Executive Director signals a dynamic new chapter for this influential institution.

Contact info@jaymichaelsarts.com for further info